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COREMEMORY: §ænt

❤️‍🔥

§hæaa~ 

featuring Darius Ou, mr. jalee, Megisba, Anu, Erik Molien Flower fka Mohamed Hadji Abdurahim, Saurapod and Waklu Daki
                       
(Above) Excerpts from ‘There is no §ænt❤️‍🔥§hæaa~ in a hyprgrRD’. A work of autofiction, written as a prerequisite to Absolute Space AiR Program 2024: Summon! Dance! Carnival! Conducted at San Ho Art Lab, Tainan City, TW. An edition of two printed copies was made available for reading on site. (Images above are screenshots composed by cinotUHD).


(Left) Cover of ‘There is no §ænt

❤️‍🔥

§hæaa~ in a hyprgrRD’


(Right) A digital drawing by ‘ANU’, who inspired the writing of the book. Written by fæyur or fyerool darma as a nucleus to the presentation ‘COREMEMORY: §ænt

❤️‍🔥

§hæaa’ presented by Absolut Space at San Ho Art Lab, Tainan City, TW.

The publication is designed with cinotiUHD and published by Perpustakaan Antara Galaksssi (PAGi), printed in Tainan City

The work employs narrativity as a method in artmaking.  Extension from the book were translated to sculptural object synthesised with polyurethane of materials gifted from Kenji Hayashi, Yi-Min, gogoro and offcuts from 旻欣網版印刷有限公司 Min Xin Screen Printing Co. Ltd. (Tainan City, TW) which includes materials like carbon fibres, nylon, copper, polyethylene, polyvinyl chloride prints salvaged, manufactured pine wood amongst many.

(Below) Photographs of ’Posteknorganika Specie: Mala Spicysiels' and Anu weaving/developing a core memory

Presumably captured by Erik Molein Flower fka Mohamad Hadji Abdurahim, undated

Image translation presumably with chlorophyll and synthetic polymer paint and inkjet ink on 90 gsm bleached paper








༄ with Anu, Darius Ou, mr. jalee, Megisba, Erik Molien Flower fka Mohamed Hadji Abdurahim Tekla Bądarzewska-Baranowska, Saurapod and Waklu Daki

A machine withdraws into its core memory drive as it surrenders into expiration. Amidst the clouds, a reverbing sound of Tekla Bądarzewska-Baranowska’s ‘A Maiden’s Prayer’, embedded upon by predecessing weavers, manufacturers and programmers plays in loop. Upon its wake, it rebirths into a rhopalocera. The work examines the concepts of time and expiration from the viewpoint of a rhopalocera. The work employs screenshots of essays, articles and lores that are knots to the keyword ‘malayo-polynesia’; interspersed with stock and generated images as a prompt in questioning on the dependence of technology, visuality and methods in web mining amplifying on the generated, degenerating and re-generating energies that art-making is dependent upon. 

Written by fyerool darma, sound composed and arranged by mr. jalee, Megisba and berukera. It contains a tune of Tekla Bądarzewska-Baranowska's Maiden's Prayer played by Waklu Daki on a Sonoma 14.5 iOS System, Garageband midikeys of 'Scroll & Glissant plugins. Text design and animated by Darius Ou (Studio Darius Ou) of a poem orated by Erik M. Flower fka Mohamed Hadji Abdurahim, edited by cinotiUHD. Contains stock images alongside generated images with Stable Diffusion, and screenshots of essays, articles, news, memes, reels - literatures interwoven with the keyword ‘malayo-polynesia’ on the archives of web 2.0, jstor amongst others, generated by cinotiUHD. 

The short received support from NTU Center of Contemporary Art Singapore and Absolute Art Space AiR Program 2024. It includes a portion from Pathfinder: A Pantun by Erik Flower and is presented in COREMEMORY: §ænt❤️‍🔥§hæaa~ as an extension of the book There is no §ænt❤️‍🔥§hæaa~ in a hyprgrRD





Photographs by megisba